La dame en rouge
2018, 50x 40 cm, Oil on canvas
The artist's Malagasy origins are the|central theme of her work, a starting point to delve into the construction of cultural identity as a result of a series of collective and not individual experiences. Through her trips to Madagascar to her parents' home, the artist completely identifies with the environment and the problems of her fellow citizens. The search for answer to identity is joined by the desire to show a Madagascar full of colors, rich in natural resources and also in poverty. Away from the stereotypes of a dangerous country characterized in the French press, Celia shows the humanity of its people in everyday scenes. The impact of globalization makes established dogmas questioned, as well as old beliefs and traditions.
In "La dam e en rouge" the reflection of Malagasy society, where agriculture still carries a great weight, Celia portrays a woman peeling a banana tree perhaps preparing for a meal. It is an intimate moment between the artist and the protagonist w here the question of social differences and the cultural shock arises.
The artist, who identifies herself, on one hand with the tradition of Madagascar society, and on the other hand, with the modernity of the Western world where she grew and was brought up. The colors are warm on a flat background that accentuates the activity that the protagonist is carrying out where housework continues to be part of the main activity of women.