Le sourire aux yeux
2019 (reworked 2020), 50 x 40cm, Oil on canvas
The artist's Malagasy origins are the|central theme of her work, a starting point to delve into the construction of cultural identity as a result of a series of collective and not individual experiences. Through her trips to Madagascar to her parents' home, the artist completely identifies with the environment and the problems of her fellow citizens. The search for answer to identity is joined by the desire to show a Madagascar full of colors, rich in natural resources and also in poverty. Away from the stereotypes of a dangerous country characterized in the French press, Celia shows the humanity of its people in everyday scenes.The impact of globalization makes established dogmas questioned, as well as old beliefs and traditions.
"Le sourire aux yeux" presents a clear contrast with the previous one, where a young woman smiles. The angle of this uncommon portrait is surprising where it is the smile that is drawn in the gaze that is guessed in the part that has not been portrayed. It is the hope of the liberation of the future of women in Madagascar with modern times and new customs. Again, as a parallel and signature of the artist, we observe the enhancement of the portrayed figure in contrast to a flat background in color and lacking in motif. Celia thus gives us to understand that the theme is not the main thing in her work, but the emotion on the faces of her fellow citizens, in the warmth of the moment of the portrait.