The artist's Malagasy origins are the|central theme of her work, a starting point to delve into the construction of cultural identity as a result of a series of collective and not individual experiences. Through her trips to Madagascar to her parents' home, the artist completely identifies with the environment and the problems of her fellow citizens. The search for answer to identity is joined by the desire to show a Madagascar full of colors, rich in natural resources and also in poverty. Away from the stereotypes of a dangerous country characterized in the French press, Celia shows the humanity of its people in everyday scenes. The impact of globalization makes established dogmas questioned, as well as old beliefs and traditions.
‘Peau d’or’ is portrait pf a French Malagasy singer with whom the artist collaborated on filming the entire paintings process live for a song of the same name – “Peau d’or”. The project is in direct response to the movement Black Lives Matter. As mixed raced women, both artists have been on torn between being ‘white’ or ‘black’. Where do they stand? As the singer writes a song about skin colour, Celia paints her portrait beautifully rendering details of her facial expression and skin colour.